Be sure to pick up the Holiday 2019 issue of Carmel Magazine, found everywhere along the California Central Coast and abroad. Writer Renee Brincks did a fantastic writeup for the book and it was awesome to be included once again in such an illustrious publication. Can’t find a print copy? Read it online here: https://www.e-digitaleditions.com/i/1182230-cm-sm-ho19-nov/66
Those looking for all things spooky during the Halloween 2019 season need look no further than the pages of Haunted Monterey County. Local NPR public radio 90.3 KAZU featured the book on Halloween day.
Michael Newton is one of the hardest working writers in the industry. He’s published more than 335 books, some under a different name, including The Encyclopedia of Serial Killers, a number of fiction series such as the M.I.A. Hunter, The Gun westerns, and plenty more. His work in non-fiction is as prolific as his work in fiction. He’s written books on the subject of writing, as a matter of fact, which anyone interested in writing should read.
He’s also well known for his contributions to The Executioner series originally created by Don Pendleton and he’s even written for The Destroyer series. Newton got his start as a “ghost author” for the Mack Bolan Executioner titles and has written 131 “episodes” of the popular man-of-action series to date, with more on the way.
Beginning in 2018 and ending this year in 2019, he penned a series of 10 novels for Wolfpack Publishing based on the history of the Federal Bureau of investigations. In Honor Boundis the first of the series. Set in 1917, it follows three law school graduates as they set out to join the fray for World War I. Before they get a chance to register for service, J. Edgar Hoover extends to them an invitation to join the U.S. Department of Justice.
The series charts the Bureau’s history through the lives of five families: the Gantts, the O’Haras, the Giordanos, the Sawyers, and the Babins. Book 10, When Honor Dies, features a world of terrorism threats from the home front and from the Middle East. The fates of the series’ families are revealed amidst the tragedy of 9/11.
I recently had the honor of talking to Michael about his writing. He said he first got the idea for The Bureau series in 1986.
“I’ve long enjoyed similar (much better!) series by Max Alan Collins, John Jakes, Stephen Hunter and W.E.B. Griffin, but I fell far short of their great achievements this time around. Toward the end it felt a bit like Vietnam or Afghanistan: no exit,” Newton said.
When it comes to his writing, Newton said he’s wanted to be a writer ever since he learned how to put words on paper in grade school. He’s currently hard at work on a new Executioner title, the first ever biography of Albert Anastasia, and much more.
“The money [was] also an attraction, freeing me from a dead-end Nevada teaching job in 1986 and allowing me to write full-time ever since,” Newton said. “For years the Bolan work represented roughly half my yearly income, but 2014 took a toll, my Berkley Western editor fired and an ongoing series canceled, then Harlequin bought out by HarperCollins and the end of the Bolan series announced in December. They’ve reconsidered that, as you know, but at a rate of four books yearly rather than 24, so with luck I get one rather than the former three or four.”
He’s recently fallen back into the realm of “writer-for-hire” as well.
“[This includes] three books for an action series forthcoming from Wolfpack Publishing, rumbles of a Western series (also from Wolfpack), and a two-book contract for Berkley under the late Ralph Compton’s name (also Westerns),” Newton said. “All of those pay by the word, and I’m back to the kind of thing that was my staple during 1978-81, before Gold Eagle came along. I don’t know if that’s coming full-circle or just circling the drain.”
Learn everything there is to know about this amazing guy over on his website.
There’s always that one sibling. It seems there’s one in every nuclear pod. In That’ll Be The Day: A Power Pop Heist by S.W. Lauden, we’re introduced to Jackson Sharp the moment he breathes free air for the first time in a long while. Only he may not be breathing it for much longer thanks to his brother, Jamie, who has a heist in mind that’s sure to make any fan of the Beatles froth at the mouth. Should things go wrong, Jack will end up right back in the bowels of Oklahoma State Penitentiary, where neither of his siblings ever care enough to visit.
With a setting near Tulsa, Lauden’s toe-tapping, gritty novelette is like the Outsiders on a punked-up, rockabilly high. It’s a smooth crime story with a playlist sure to get a song or two stuck in your head while you read.
That’ll Be The Day drops June 18th. Boogie on over here for your copy. My interview with the man himself, S.W. Lauden, is below.
WHITEHURST: Besides short stories featured in anthologies, you’re the author of three books in the Greg Salem series and two Tommy and Shayna novellas. Why write a novelette?
LAUDEN: I didn’t exactly set out to write a 17,000-word story, but I always knew it would end up somewhere between a short story (5,000 words) and a novella (30,000 words). My other books have all been published by indie presses, but I’ve been interested in the idea of self-publishing for a while. With a story like That’ll Be The Day: A Power Pop Heist—an odd length and a super niche-y subject—I decided it was time to give it a whirl.
WHITEHURST: What was your inspiration for That’ll Be The Day?
LAUDEN: Late last year I got offered the chance to co-edit an essay collection about power pop with Paul Myers (it’s called Go All The Way and Rare Bird Books will publish it this October). Re/discovering bands like Raspberries, The Knack, The Records, Shoes, The Shivvers, Dwight Twilley, The Bangles, Teenage Fanclub, Fountains of Wayne, New Pornographers, etc. quickly became an obsession. I didn’t plan for my power pop research to also become a crime novelette, but I’m really glad it did. It was a blast writing about the Sharp brothers, their failed music career, and the life of crime that followed.
WHITEHURST: Your knowledge of music, bands, and instruments is solid. What’s the story there?
LAUDEN: Most of my life has been organized around music. I had older brothers that got me into classic rock and heavy metal as a kid, before I discovered punk in junior high. From there I was off to the races, listening to a lot of glam rock, post punk, new wave, power pop, alternative rock, Brit pop—you name it. I started playing drums in bands in high school and didn’t stop for any real length of time until my early 40s. I got to make a few records and tour, etc. Given all that, I suppose it’s no surprise that a lot of my crime fiction revolves around music and musicians.
WHITEHURST: What’s next for you?
LAUDEN: I recently played drums on a record for an LA-based garage rock/power pop band called The Brothers Steve. We’re self-releasing a limited run of vinyl in late July, but songs will start popping up in various places between now and then. We definitely won’t be touring (too many adult responsibilities for anything crazy like that), but we might play a couple of shows here and there.
LAUDEN: Thanks for reading the book and inviting me to your blog!
BIO: S.W. Lauden is the author of the Greg Salem punk rock P.I. series including Bad Citizen Corporation, Grizzly Season and Hang Time. His Tommy & Shayna novellas include Crosswise and Crossed Bones. A new novelette, That’ll Be The Day: A Power Pop Heist, will be released on June 18, 2019. S.W. Lauden is the pen name of Steve Coulter, drummer for Tsar and The Brothers Steve. More info at http://swlauden.com.
“Poughkeepsie Shuffle weaves a violent tale about banged up people with hearts full of rust. Crossing the border between bleak and bleaker, Kalteis effortlessly shifts gears from broken dreams to petty schemes with a rhythmic voice that’s all his own. If you read one book about gun smuggling, used car sales and hair restoration this year — make it this one.” — S.W. Lauden, author of the Greg Salem punk rock P.I. series
Dietrich Kalteis is a prolific writer. He’s a guy who knows how to get to the meat of a story without wasting a lot of real estate on the page. His latest book, Poughkeepsie Shuffle, starts off sharp (I’m looking at you, finger scene) and stays sharp until the end. You relate when his characters make a crazy-ass decision. We’ve all been there at one point or another. At the same time, these aren’t the sort you’d invite over for a game of Scrabble – no matter how bad you feel for them. Kalteis is that kind of author. He makes you sympathize with someone you’d never want to hang with.
SIDENOTE! Those in Monterey, CA, on October 26th, can meet Dietrich at this year’s Noir at the Bar, which will be held from 7-10 p.m. at the East Village Coffee Lounge in downtown! More details here on the website soon.
See my interview with the author below and learn what drew him into the fine world of crime writing.
WHITEHURST: Poughkeepsie Shuffle deals with ex-con Jeff Nichols, a guy who jumps from a notorious jail right back into the criminal elements. What led you down that path when it came time to write your new book? For that matter, what got you into crime writing in the first place?
KALTEIS: I grew up in Toronto where the story’s set, and I wanted to recreate the city the way I remembered it back in the mid-eighties. It was a grittier, character-filled place back then, before the meatpacking plants and rail lines that once lined the land below Front Street started disappearing, giving way to gentrification and leaving behind its industrial heritage.
And being across the lake from Niagara and Buffalo, the city has easy access to the US, making it the perfect setting for a story revolving around smuggling. I read an article a few years ago about a gunrunning ring that operated between upstate New York and Ontario, being taken down by the OPP and several U.S. law enforcement agencies. And I remember news stories about the increasing gang violence back then, and I wanted to work that into the story.
Then there were a couple of real-life characters that I fictionalized and weaved into this one. For instance, I did meet a guy who claimed he stumbled onto this South American miracle cure for hair restoration. He was so gung-ho about it and spent a fortune and a lot of time trying to launch it, but instead of the riches he expected, he just kept running into a lot of red tape.
Then there’s the Conway character who I loosely based on a guy I met who wanted to teach the world to sing, offering to hire me to help market his new company in exchange for singing lessons. Needless to say, I declined, and I still sing like shit. And there’s the Elvis impersonator, a character based on this guy I met one morning in a copy shop.
I didn’t set out to write crime stories. At first, I wrote a lot of short stories trying to find what worked for me, trying different styles and genres. There was often dark humor in the stories, and that just seemed to fit into a crime story. Plus I’ve got a soft spot for the lowlife characters that usually end up in my crime stories.
WHITEHURST: Say you’re in line at the grocery store and some guy with a case of beer and a bag of Doritos asks you to describe your newest book, what do you tell him?
KALTEIS: Assuming the guy in line offers to share the beer and Doritos, I could give him my elevator pitch after I stopped chewing, It would go something like this: Jeff Nichols, an ex-con recently released from the Don Jail, is discontent with his used-car sales job. Not one to let past mistakes stand in the way of a good score, he’s soon caught up in a gun-running scheme. As things spin out of control, Jeff hangs on, determined to not let anything stop him from hitting the motherlode.
WHITEHURST: Steven Spielberg gives you a jingle one day and wants to film a movie of the book, but he’s not sure who to cast. Anyone you’d recommend for the role of Nichols?
KALTEIS: Bob Odenkirk from Better Call Saul and Breaking Bad fame would make the perfect Jeff.
WHITEHURST: Research is crucial when it comes to great writing, especially writing about bygone eras and seamlessly plopping your readers smack dab in the past, which you do well in this and your other books; how do you get the flow of history into your books (even the 1980s!) without it coming off like a term paper?
KALTEIS: I do the research, then I don’t let it get in the way. I limit how much goes in and I keep descriptions to the barest of details. Too much tends to bog the pace so there has to be this balance. I want to include details that lend credibility, and sometimes they just need a mention, without going into a lot of explanation. And some details give the scene color, creating vivid pictures for the reader.
WHITEHURST: Music. A lot of writers create a soundtrack for their books, others click away at the keyboard in perfect silence. What do you listen to?
KALTEIS: For me, there’s a silence in the music. When I put on my headphones, I play what works with the scene I’m working on. It lets me slip into the story, blocking out the white noise that interrupts everyday life: voices, phones, cars and emergency vehicles going by on the street. For Poughkeepsie Shuffle there was no real theme or soundtrack. And although I like many kinds of music, I was never much for the dance music, post-disco and techno of the era. Instead I went for Springsteen, Warren Zevon, George Thorogood and Stevie Ray Vaughan. And there were a few sixties bands like the Kinks and the Beach Boys making a comeback in the eighties that I still liked.
WHITEHURST: Is there a part of Poughkeepsie Shuffle you like best, a chunk of the book that made you sit back and smile?
KALTEIS: One scene that makes me smile is when Jeff walks into the barber shop and meets the Elvis impersonator. That scene was inspired by this time I took my then five-year-old son to a copy shop, running into Elvis waiting his turn. I got to talking to him, the man standing in his flip-flops, looking like he was coming off a rhinestoned night, with his hair and sideburns askew. He was running off flyers for an upcoming Vegas show at a nearby hotel lounge, so we chatted a bit, then I wished him good luck and got back a bona fide “Thank you very much.” When he left to tack up and pass out the flyers around the neighborhood, I asked my son, “You know who that was?” And I got a very matter-of fact, “Sure, Elvis.”
The Pacific Grove Museum of Natural History book, which Arcadia Publishing released earlier this year, got a nice write-up in Carmel Magazine. Thank you to writer Renee Brincks and photographer Kelli Uldall for making it so easy! You two rock!