(Sept. 24, 2018) Look for some cool events this October on the Monterey Peninsula. Cool for writers and fans of the written, and spoken, word at least. And who isn’t a fan of that?
October 21 – I’ll be joining a number of authors in Carmel on Sunday, October 21, from 1-3 p.m. for a book signing event featuring local authors and historians. More details to come, but it sounds like a great place to find some early Christmas presents for the bibliophiles in your family. I’ll be ready to sign my recent book Pacific Grove Museum of Natural History! The event will be held at Carmel Ace Hardware, located at 290 Crossroads Blvd, Carmel-By-The-Sea, CA93923.
October 23 – Want to learn more about the craft of writing fiction and nonfiction? Author Dietrich Kalteis and I will hold a workshop on that very subject Tuesday, October 23, at 6:30 p.m. at Old Capitol Books in downtown Monterey. We’ll discuss writing style, guidelines, and the research that goes into works of fiction and non-fiction. Old Capitol Books is located at 559 Tyler Street in downtown Monterey. Learn more here!
October 26 – Noir at the Bar returns to the Central Coast this month! This year’s Noir will be held at the East Village Coffee Lounge, at 498 Washington Street in downtown Monterey, beginning at 7 p.m. Books will be available for purchase thanks to the awesome folks at Old Capitol Books. Donations will be accepted at the door, benefitting the Central Coast Writers group! It’s a sweet lineup of authors too: Terry Shames, Kris Calvin, Tom Pitts, Rob Pierce, Susan C Shea, Mark Coggins, Morgan Boyd, Dietrich Kalteis, and me! Get more details here!
“Poughkeepsie Shuffle weaves a violent tale about banged up people with hearts full of rust. Crossing the border between bleak and bleaker, Kalteis effortlessly shifts gears from broken dreams to petty schemes with a rhythmic voice that’s all his own. If you read one book about gun smuggling, used car sales and hair restoration this year — make it this one.” — S.W. Lauden, author of the Greg Salem punk rock P.I. series
Dietrich Kalteis is a prolific writer. He’s a guy who knows how to get to the meat of a story without wasting a lot of real estate on the page. His latest book, Poughkeepsie Shuffle, starts off sharp (I’m looking at you, finger scene) and stays sharp until the end. You relate when his characters make a crazy-ass decision. We’ve all been there at one point or another. At the same time, these aren’t the sort you’d invite over for a game of Scrabble – no matter how bad you feel for them. Kalteis is that kind of author. He makes you sympathize with someone you’d never want to hang with.
SIDENOTE! Those in Monterey, CA, on October 26th, can meet Dietrich at this year’s Noir at the Bar, which will be held from 7-10 p.m. at the East Village Coffee Lounge in downtown! More details here on the website soon.
See my interview with the author below and learn what drew him into the fine world of crime writing.
WHITEHURST: Poughkeepsie Shuffle deals with ex-con Jeff Nichols, a guy who jumps from a notorious jail right back into the criminal elements. What led you down that path when it came time to write your new book? For that matter, what got you into crime writing in the first place?
KALTEIS: I grew up in Toronto where the story’s set, and I wanted to recreate the city the way I remembered it back in the mid-eighties. It was a grittier, character-filled place back then, before the meatpacking plants and rail lines that once lined the land below Front Street started disappearing, giving way to gentrification and leaving behind its industrial heritage.
And being across the lake from Niagara and Buffalo, the city has easy access to the US, making it the perfect setting for a story revolving around smuggling. I read an article a few years ago about a gunrunning ring that operated between upstate New York and Ontario, being taken down by the OPP and several U.S. law enforcement agencies. And I remember news stories about the increasing gang violence back then, and I wanted to work that into the story.
Then there were a couple of real-life characters that I fictionalized and weaved into this one. For instance, I did meet a guy who claimed he stumbled onto this South American miracle cure for hair restoration. He was so gung-ho about it and spent a fortune and a lot of time trying to launch it, but instead of the riches he expected, he just kept running into a lot of red tape.
Then there’s the Conway character who I loosely based on a guy I met who wanted to teach the world to sing, offering to hire me to help market his new company in exchange for singing lessons. Needless to say, I declined, and I still sing like shit. And there’s the Elvis impersonator, a character based on this guy I met one morning in a copy shop.
I didn’t set out to write crime stories. At first, I wrote a lot of short stories trying to find what worked for me, trying different styles and genres. There was often dark humor in the stories, and that just seemed to fit into a crime story. Plus I’ve got a soft spot for the lowlife characters that usually end up in my crime stories.
WHITEHURST: Say you’re in line at the grocery store and some guy with a case of beer and a bag of Doritos asks you to describe your newest book, what do you tell him?
KALTEIS: Assuming the guy in line offers to share the beer and Doritos, I could give him my elevator pitch after I stopped chewing, It would go something like this: Jeff Nichols, an ex-con recently released from the Don Jail, is discontent with his used-car sales job. Not one to let past mistakes stand in the way of a good score, he’s soon caught up in a gun-running scheme. As things spin out of control, Jeff hangs on, determined to not let anything stop him from hitting the motherlode.
WHITEHURST: Steven Spielberg gives you a jingle one day and wants to film a movie of the book, but he’s not sure who to cast. Anyone you’d recommend for the role of Nichols?
KALTEIS: Bob Odenkirk from Better Call Saul and Breaking Bad fame would make the perfect Jeff.
WHITEHURST: Research is crucial when it comes to great writing, especially writing about bygone eras and seamlessly plopping your readers smack dab in the past, which you do well in this and your other books; how do you get the flow of history into your books (even the 1980s!) without it coming off like a term paper?
KALTEIS: I do the research, then I don’t let it get in the way. I limit how much goes in and I keep descriptions to the barest of details. Too much tends to bog the pace so there has to be this balance. I want to include details that lend credibility, and sometimes they just need a mention, without going into a lot of explanation. And some details give the scene color, creating vivid pictures for the reader.
WHITEHURST: Music. A lot of writers create a soundtrack for their books, others click away at the keyboard in perfect silence. What do you listen to?
KALTEIS: For me, there’s a silence in the music. When I put on my headphones, I play what works with the scene I’m working on. It lets me slip into the story, blocking out the white noise that interrupts everyday life: voices, phones, cars and emergency vehicles going by on the street. For Poughkeepsie Shuffle there was no real theme or soundtrack. And although I like many kinds of music, I was never much for the dance music, post-disco and techno of the era. Instead I went for Springsteen, Warren Zevon, George Thorogood and Stevie Ray Vaughan. And there were a few sixties bands like the Kinks and the Beach Boys making a comeback in the eighties that I still liked.
WHITEHURST: Is there a part of Poughkeepsie Shuffle you like best, a chunk of the book that made you sit back and smile?
KALTEIS: One scene that makes me smile is when Jeff walks into the barber shop and meets the Elvis impersonator. That scene was inspired by this time I took my then five-year-old son to a copy shop, running into Elvis waiting his turn. I got to talking to him, the man standing in his flip-flops, looking like he was coming off a rhinestoned night, with his hair and sideburns askew. He was running off flyers for an upcoming Vegas show at a nearby hotel lounge, so we chatted a bit, then I wished him good luck and got back a bona fide “Thank you very much.” When he left to tack up and pass out the flyers around the neighborhood, I asked my son, “You know who that was?” And I got a very matter-of fact, “Sure, Elvis.”
What happens to us when we die? That’s the big question. Some of us, many believe, might stick around after we die. Some of us might become the next generation of ghosts! When that happens, some of us will find a place to haunt, be it a favorite home, an old workplace, or possibly a cemetery.
Resting comfortably among the cypress, eucalyptus, Monterey oak, and pines trees of the California coast is the Monterey Peninsula. It’s changed little over the years but grown large in notoriety. The AT&T Pebble Beach Pro-Am is held here every year, car shows are a daily part of life in the summer months, and festivals bring both music and food. Sailing, kayaking, and exploring sea life are pastimes enjoyed by residents and tourists alike. The Central Coast has a long, sometimes sordid, history, but people love it. It’s been featured in a number of films and television shows, including Turner & Hooch, Basic Instinct, Star Trek IV: The Voyage Home, Play Misty for Me, Big Little Lies, and more.
My newest book, Haunted Monterey County, will explore the many haunted locations found in this popular California community. Due in bookstores around Halloween 2019, this book will join a distinguished library of haunted, ghostly collections published by The History Press, a number of which I have enjoyed in the past. The nearest such book, Haunted Santa Cruz California, by Maryanne Porter, is a wonderfully spooky read! Their Haunted America series runs from the East Coast to the West!
In Monterey, I am hard at work on stories surrounding a number of haunted sites, including the Custom House near Old Fisherman’s Wharf, Tor House, Steinbeck’s home in Salinas, Los Coches Adobe, and many other locations said to be inhabited by the restless dead.
I plan to write updates as I progress, so be sure to check in on me from time to time!
What exactly are they made of? When that chilly hand settles on your shoulder and squeezes, what is it? A memory? A telekinetic process sent from the Other Side? The hunt for answers has been an ongoing one since, I’m guessing, that time a Neanderthal heard footsteps in his cave, but upon investigation found the place deserted. Today’s world makes the search even easier to document. There are websites devoted to the paranormal. There are movies, both fiction and nonfiction books, and videos on YouTube and elsewhere.
For me, it’s a feeling. Years ago, as a reporter for the Williams-Grand Canyon News, I wrote about a great little restaurant on Route 66 called Twisters. I ate there often and still have fond memories of the place. This particular story, I recall, was of a darker nature. The owner’s security camera picked up something strange during the night and he called me in to check it out. When I arrived the next day we sat in the back room and watched the video. In the middle of the night, when Route 66 was deserted and after the place had long since closed for the day, a foggy humanoid shape came to visit the restaurant’s gift shop. It moved with a particular gait, as if it were walking, right into the bathroom. That’s when I got the feeling. A cold chill washed up my spine, which told me I was witness to something very odd. I was later told the restaurant was once a gas station and that the owner had committed suicide. The restaurant owner wondered if that ghostly form walking across his floor could be that man. I had no answer, but was happy to post the video to the News website.
Whether one believes or not, ghosts are a part of life. They’re talked about by believers and nonbelievers alike, which makes them real in a way. Logically, the idea makes little sense. They can pass through walls, but also move things on a shelf, so which one is it? Why are they clothed, others ask? There are answers to every question if you’re a believer. It could be they’re not a real remnant of a soul at all, but a telekinetic leftover (akin to a projected image) that repeats the memory of an event over and over again. It could be some of us are like spiritual magnets, while others just don’t have the eyes for it. Some of us are cooler than others it seems.
Check out this great Live Science articleon the topic.
A more recent theory is that ghosts are made up of dark energy, not dark in the sinister sense (though that sounds fun), but dark in that it is a form of energy that cannot be seen. Much like the dark matter discussed in a cosmic way by scientists like Neil deGrasse Tyson, this dark energy may explain why we can’t (yet) explain it. It also makes sense when it comes to that chilly unseen hand resting on your shoulder. It can move things we can see, like your skin or the fabric of your shirt, but we cannot see what made it move.
Journalism is meant, on its best day, to provide checks and balances for those in power. Those who make decisions that ripple through our jobs, our welfare, and our checkbooks have to be held accountable for their decisions. If it weren’t for watchdogs, Americans would drown under the rule of those who care little for anything and anyone beyond their own interests. We would be manipulated, lied to, and used as cogs in a machine –necessary but ultimately forgettable. In a free society, the news is intended to provide all Americans with the information needed to make an intellectual decision. It’s not intended to convince you how to think on a particular subject, or even on a particular candidate, but it will furnish the tools we need to make a smart decision on the matter.
It’s not always perfect and it can be downright dirty. Ratings factor into the equation, as they do for most print and television offerings. Advertisers factor into the equation as well; news outlets are businesses at the end of the day. They have to make money to survive, but their mission has never been more clear. You’re simply not going to get all the facts, all the angles, nor the whole truth from those elected to positions of power. There are people in this country afraid of an informed population. Some news may sensationalize, some may muddy the line between editorializing and journalism, but more than anywhere else, the news media is there to inform. Their job is to ferret out the mischief and replace the tall tales with a sobering dose of reality.
This may seem like pie in the sky idealism, but as a former journalist, I know there is truth in reporting. Our reporters, covering beats from crime to education, are American citizens like the rest of us. They go home to families and watch football on the weekends. They vote, pay taxes, buy groceries, and carry degrees that instilled in them a belief that journalists should be a voice for the voiceless. Without journalists, the voiceless would be all but dead.
Recent attacks on the media are terrifying in that they are seeking to suppress the search for truth by lobbing derogatory labels like hand grenades, including the effort to label journalists as the “enemy of the people,” which couldn’t be farther from the truth. Journalists ARE the people. Their job is to present the facts, while ours is to understand and use it however we see fit.
I stand with the Boston Globe as they, and more than one hundred other newspapers across the country, defend their voices from those who seek to silence them. On August 16th, these news organizations will publish editorials warning of the dangers of anti-press rhetoric. And don’t be fooled, the press is under attack, and an America without them would indeed be a country on fire.
The Outlaw’s Ransom by Jennifer Ash is the first in a series of books written under the Folville Chronicles umbrella and it doesn’t disappoint.
This hot, galloping tale follows the travails of young Mathilda, daughter of a local potter who lives in the English countryside, as she is yanked from a loving family and thrown to a clan of thieves and so-called villains to ensure her father pays off his debts. But are the Folvilles all that bad? Mathilda’s a bright young girl, in some ways too bright for her own britches– a quality that causes some consternation, but also proves attractive to the Folville family – especially to the handsome Robert Folville. This is a family well known for living by the code of Robyn Hode (Robin Hood to most of us) and Mathilda believes she can find a way to free both herself and her father’s debts by helping the honorable family of tough guys.
Ash, whose background is in history and archaeology, has a lifelong passion for Robin Hood mythology. This devotion is clear when you read her charming tale of betrayal, family angst, and young love. In The Outlaw’s Ransom, Mathilda is a pawn who becomes smarter and wiser by the day in order to stay alive. The second book in the series, The Winter’s Outlaw, is out now. A third is slated for late 2018, affording her fans something to look forward to – both those in the United Kingdom and here in the States.
Fans of Robin Hood in all his various incarnations, whether the adventures with his Merry Men or as a sly animated fox with a red feather in his cap, will enjoy this fresh take on the legend and how it affected real-life families living in Medieval England. It’s also a timely read thanks to the updated Lionsgate film set to hit U.S. theaters this November.
Learn more about Jennifer Ash and the Folville Chronicles here.