Check out photos of recent events in Monterey County below! Big thanks to Ace Hardware in Carmel for hosting us Arcadia authors, to Old Capitol Books for hosting a writing workshop for me and Dietrich, and for selling books at the Noir at the Bar a few night’s later. Thanks also to our Noir hosts, East Village Coffee Lounge!
“Poughkeepsie Shuffle weaves a violent tale about banged up people with hearts full of rust. Crossing the border between bleak and bleaker, Kalteis effortlessly shifts gears from broken dreams to petty schemes with a rhythmic voice that’s all his own. If you read one book about gun smuggling, used car sales and hair restoration this year — make it this one.” — S.W. Lauden, author of the Greg Salem punk rock P.I. series
Dietrich Kalteis is a prolific writer. He’s a guy who knows how to get to the meat of a story without wasting a lot of real estate on the page. His latest book, Poughkeepsie Shuffle, starts off sharp (I’m looking at you, finger scene) and stays sharp until the end. You relate when his characters make a crazy-ass decision. We’ve all been there at one point or another. At the same time, these aren’t the sort you’d invite over for a game of Scrabble – no matter how bad you feel for them. Kalteis is that kind of author. He makes you sympathize with someone you’d never want to hang with.
SIDENOTE! Those in Monterey, CA, on October 26th, can meet Dietrich at this year’s Noir at the Bar, which will be held from 7-10 p.m. at the East Village Coffee Lounge in downtown! More details here on the website soon.
See my interview with the author below and learn what drew him into the fine world of crime writing.
WHITEHURST: Poughkeepsie Shuffle deals with ex-con Jeff Nichols, a guy who jumps from a notorious jail right back into the criminal elements. What led you down that path when it came time to write your new book? For that matter, what got you into crime writing in the first place?
KALTEIS: I grew up in Toronto where the story’s set, and I wanted to recreate the city the way I remembered it back in the mid-eighties. It was a grittier, character-filled place back then, before the meatpacking plants and rail lines that once lined the land below Front Street started disappearing, giving way to gentrification and leaving behind its industrial heritage.
And being across the lake from Niagara and Buffalo, the city has easy access to the US, making it the perfect setting for a story revolving around smuggling. I read an article a few years ago about a gunrunning ring that operated between upstate New York and Ontario, being taken down by the OPP and several U.S. law enforcement agencies. And I remember news stories about the increasing gang violence back then, and I wanted to work that into the story.
Then there were a couple of real-life characters that I fictionalized and weaved into this one. For instance, I did meet a guy who claimed he stumbled onto this South American miracle cure for hair restoration. He was so gung-ho about it and spent a fortune and a lot of time trying to launch it, but instead of the riches he expected, he just kept running into a lot of red tape.
Then there’s the Conway character who I loosely based on a guy I met who wanted to teach the world to sing, offering to hire me to help market his new company in exchange for singing lessons. Needless to say, I declined, and I still sing like shit. And there’s the Elvis impersonator, a character based on this guy I met one morning in a copy shop.
I didn’t set out to write crime stories. At first, I wrote a lot of short stories trying to find what worked for me, trying different styles and genres. There was often dark humor in the stories, and that just seemed to fit into a crime story. Plus I’ve got a soft spot for the lowlife characters that usually end up in my crime stories.
WHITEHURST: Say you’re in line at the grocery store and some guy with a case of beer and a bag of Doritos asks you to describe your newest book, what do you tell him?
KALTEIS: Assuming the guy in line offers to share the beer and Doritos, I could give him my elevator pitch after I stopped chewing, It would go something like this: Jeff Nichols, an ex-con recently released from the Don Jail, is discontent with his used-car sales job. Not one to let past mistakes stand in the way of a good score, he’s soon caught up in a gun-running scheme. As things spin out of control, Jeff hangs on, determined to not let anything stop him from hitting the motherlode.
WHITEHURST: Steven Spielberg gives you a jingle one day and wants to film a movie of the book, but he’s not sure who to cast. Anyone you’d recommend for the role of Nichols?
KALTEIS: Bob Odenkirk from Better Call Saul and Breaking Bad fame would make the perfect Jeff.
WHITEHURST: Research is crucial when it comes to great writing, especially writing about bygone eras and seamlessly plopping your readers smack dab in the past, which you do well in this and your other books; how do you get the flow of history into your books (even the 1980s!) without it coming off like a term paper?
KALTEIS: I do the research, then I don’t let it get in the way. I limit how much goes in and I keep descriptions to the barest of details. Too much tends to bog the pace so there has to be this balance. I want to include details that lend credibility, and sometimes they just need a mention, without going into a lot of explanation. And some details give the scene color, creating vivid pictures for the reader.
WHITEHURST: Music. A lot of writers create a soundtrack for their books, others click away at the keyboard in perfect silence. What do you listen to?
KALTEIS: For me, there’s a silence in the music. When I put on my headphones, I play what works with the scene I’m working on. It lets me slip into the story, blocking out the white noise that interrupts everyday life: voices, phones, cars and emergency vehicles going by on the street. For Poughkeepsie Shuffle there was no real theme or soundtrack. And although I like many kinds of music, I was never much for the dance music, post-disco and techno of the era. Instead I went for Springsteen, Warren Zevon, George Thorogood and Stevie Ray Vaughan. And there were a few sixties bands like the Kinks and the Beach Boys making a comeback in the eighties that I still liked.
WHITEHURST: Is there a part of Poughkeepsie Shuffle you like best, a chunk of the book that made you sit back and smile?
KALTEIS: One scene that makes me smile is when Jeff walks into the barber shop and meets the Elvis impersonator. That scene was inspired by this time I took my then five-year-old son to a copy shop, running into Elvis waiting his turn. I got to talking to him, the man standing in his flip-flops, looking like he was coming off a rhinestoned night, with his hair and sideburns askew. He was running off flyers for an upcoming Vegas show at a nearby hotel lounge, so we chatted a bit, then I wished him good luck and got back a bona fide “Thank you very much.” When he left to tack up and pass out the flyers around the neighborhood, I asked my son, “You know who that was?” And I got a very matter-of fact, “Sure, Elvis.”
Visit Dietrich’s website here.
Order Poughkeepsie Shuffle here.
It’s going to get mysterious and maybe even a tad illegal down in Monterey on Friday, October 26, at the East Village Coffee Lounge. Look for trench coats, a suspicious marine layer rolling in like spilled pea soup, shady-looking folks in sunglasses, or just a gaggle of writerly types skipping along in the fog. When you see it, you’ll know you’ve arrived.
Noir at the Bar is back in town.
Thanks to crime fiction author Dietrich Kalteis, this year’s Noir is shaping up to be a killer one. He’s organized a sweet lineup for this year’s event, including authors Terry Shames, Kris Calvin, Tom Pitts, Rob Pierce, Susan C Shea, Mark Coggins, Morgan Boyd, Kalteis himself, and me! The lovely Natalia Molina will emcee the event!
Is it too cheesy to say it would be a crime to miss this night of literary mischief? God, that would be cheesy to say.
This year’s Noir will be held at the East Village Coffee Lounge, at 498 Washington Street in downtown Monterey, beginning at 7 p.m. Books will be available for purchase thanks to the awesome folks at Old Capitol Books. Donations will be accepted at the door, benefitting a local charity!
Some writers are like doctors. They have the stuff you need right when you need it most. Tom Pitts is an author like that. Having read American Static at a time when I was thirsty for a blast of literary danger, the book was like the tall beer Tom’s holding in his author photo. It hit the spot.What starts as a deadly, and compelling, crime thriller; American Static soons takes on a darker twist. The story unfolds to reveal murderous political intrigue, a savage quest for the truth, and weaves in a sweet love story – albeit in a surprising way.
When I got a chance to sit down with Tom, the first thing on my mind was all the great characters sprinkled throughout the book, so I started there…
PATRICK WHITEHURST: You have Quinn, Carl, Tremblay, Steven, Teresa, and a cast of others, nearly all a bit shady. How did you keep them straight?
TOM PITTS: If you’re referring to the juggling of POVs, it’s the only way I see the whole picture. It’s more than just a third-person perspective, it’s a lens through which we can see each character’s motivations. I took this idea a little further than in my last novel, Hustle. And I think the result is a faster moving, more exciting ride.
As far as them being shady, to be fair, kindly ol’ Carl ain’t too shady. But all characters—just like people—come in varying shades of grey. They just aren’t black or white. Mind you, some are blacker than others. I think even the most evil motherfucker in the world still likes a chuckle now and again, still likes to sit down and watch Bob’s Burgers, you know?
WHITEHURST: You’re knocking back a few at the bar and some dude asks you to describe American Static. What do you tell him?
PITTS: I tell ‘em it’s a devil-at-the-crossroads kind of tale. That’s what Quinn is. He’s that intoxicating, charismatic devil that’ll take you on a fast ride to hell.
WHITEHURST: When you gaze at the stars, thinking wistfully on those glorious days spent writing the book, what stands out? What part of American Static really turned you on?
PITTS: I was on a roll after Hustle. I marched forward on this one full of cocky confidence. The plot unfolded and the puzzle presented itself to me perfectly. I love that feeling when the pieces fit together. What I remember most—when I put together the political backstory that’s the impetus for the events—is jumping up from the keyboard and yelling Yes!
WHITEHURST: What can you tell us about an audiobook?
PITTS: I’m very excited about it. It’s the first audio book being done for one of my stories. The narrator, Daniel Greenberg, has done an excellent job. I listened to a lot of audio books during a hellish commute I endured a few years back. And I mean a LOT of audio books, and Daniel has just the even-handed style I like—not too dramatic, not too flat. I’m told it’ll be done by the start of May, so I’m hoping it’ll be available in June. If it goes well, I’m going to do one for Hustle and the new book, 101.
WHITEHURST: The movie question now: who would you cast? I could almost see De Niro as Quinn, maybe a younger version. Thoughts?
PITTS: I do hate being pinned down by this question. Once I have someone in mind it’s hard to get them out of my head, but … since you asked. I think I’d like to see Frank Grillo as Quinn. He’d be perfect for it. He’s got something scary going on just under the surface. It’d be tough for a just any old pretty boy to sell it. Frank has a bit of grit. The kind of guy you can never feel quite comfortable around.
WHITEHURST: What about bands? Who do you listen to when you type?
PITTS: Nobody. I’ve always worked in silence. I’ve gone so far as to stuff toilet paper in my ears and pump white noise through some headphones to find silence. Rob Hart recently asked on Twitter about playlists for writing, the soundtrack that a writer prepares for each novel. A light went on over my head—a playlist to block the world out? Brilliant. Maybe I’ll try it the next time around. Especially if it’s a period piece.
WHITEHURST: What’s the story these days? What are you working on?
PITTS: I just finished the final edits for my next novel, 101. It’s coming out in November from Down & Out. It takes my shifting POV philosophy even further. I’ve very proud of the book. It’s fast-moving, funny, and full of wild characters. It’s set against the backdrop of a pot farm in Humboldt County six months before it went legal in California. I spent a fair amount of time in those hills doing research—yeah, that’s what we’ll call it—and I hope it captures the tone of the hills. I’m still working on the Hustle script and doing the dance with Hollywood. Hopefully I’ll have some solid news to share about that soon. I can say things are heating up though. Then, I suppose, it’s time to roll up my sleeves and get to work on a new novel. I can’t wait to get back to that strange headspace where I spend a few hours a day in the unpredictable world of my own fiction.
Visit Tom’s website here.
Order American Static here.
April 2, 2018 – Check out today’s flash fiction entry on the Shotgun Honey website for my short story Dating Today! Be sure to leave a comment. They’re doing amazing things over there!
Read the story here!