B.C. Blues Crime fiction series: Interview with Author R.M. Greenaway

River of Lies: B.C. Blues Crime by R.M. Greenaway
Dundurn (March 14, 2020)

R.M. Greenaway has a hell of a way with words.

She’s firmly situated as the captain of the ship when it comes to stark police procedurals. Her B.C. Blues Crime series takes readers to the criminal underbelly of beautiful British Columbia, into the minds of twisted souls, and those committed to bringing them to justice. At five titles so far, including her newest book “River of Lies” and beginning with the gritty first book “Cold Girl,” it seems Greenaway is just getting warmed up. Each book in the series can be read alone or all together – another great reason to start on this series and slip copies into your home library. And let’s not forget her amazing contribution to the Noir series published by Akashic Press, “Vancouver Noir,” with her story “The Threshold.”

I got a chance to sit down for some virtual coffee with the author and tossed a few questions her way. Read our exchange below!

WHITEHURST: What’s next for you now that you’ve finished River of Lies, which just released this month?

GREENAWAY: Thanks, Patrick! I’m really not sure what’s next. The COVID-19 pandemic has shifted lives worldwide in horrific ways, and just following the news takes up much of my day it seems. Of miniscule importance, it’s also moved my publication date back on the book I’m now working on, “Five Ways to Disappear.” I got the substantive edit report back in early March, and was going full steam when I was told everything’s on hold. So my deadline’s been extended indefinitely.  

I’m still hoping it will be out there in 2021. “Five Ways” is the series finale, and once that’s complete, I’m free to work on a prequel, sequel, a whole new series, a standalone, whatever. I’m thinking of working on short stories for a while. Or maybe I’ll do like Poirot, chuck it all and grow vegetables. More likely I’ll miss my crew enough that I’ll bring them back for another round of abuse in BC Blues II.

WHITEHURST: What led to your first book Cold Girl and subsequent books: “Undertow,” “Creep,” “Flights and Falls,” and book five?

GREENAWAY: Lots of reading. I thank my parents and the mobile library van for first getting me hooked on books. As I got older I read crime series. I think the attraction of crime fiction for me is when bad things are fixed and characters work together to hurdle adversity it gives one hope; also, in a series, a sense of belonging.  

In my younger years I wrote stacks of adventure fiction (on foolscap, if you recall the stuff), then progressed to a Smith-Corona and specialized in angst. Then stopped writing when I had a son, aka responsibility, and moved north for work. 

But something pinged. I was out of town for work, in a hotel room in Prince Rupert with time to kill and an idea circling in my head. Got myself a cheap notebook and got started on what turned into Cold Girl. I still have that notebook with its first handwritten chapters. Neither the prose nor the handwriting are anything to boast about!

Author R.M. Greenaway with her latest B.C. Blues Crime novel River of Lies.

WHITEHURST: You’ve worn a few hats in your past. How did your former jobs, such as court reporter, inform your writing career?

GREENAWAY: As a court reporter I sit very quietly and listen to everything being said, type it all down, and hope to hell nobody asks me to read it back. In one of the first major trials I did, that’s just what happened, and in the worst way: the jury wanted a whole witness’s testimony read back from my steno notes, which took me hours to do. But I did get an ovation afterwards.

That’s beside the point. I think immersion in dialogue via the courtroom setting was good for me as a writer. Getting the two sides to every story was also great. And hearing testimony regarding crime scenes and police procedure, as well as checking out the demeanour of everyone from killers to cops to forensics experts, was of course very helpful. My mind is not hugely retentive, in fact it’s sort of sieve-shaped, but I think the essence of all that crime and punishment sank in.

WHITEHURST: Tell me more about your writing process?

GREENAWAY: Not as structured as I’d like it to be. I write a lot but then edit a million times before I’m satisfied. And then I’m only satisfied until it comes out in print, at which point I’m afraid to look at it. Which is dumb and cowardly, I know. All the same, I’d rather shut the chapter on what I can’t change and move onto the next.

I do count myself incredibly lucky to have five books and three short stories published, and hopefully more to come. I’m happy to receive mail from people who have read the series and enjoyed it. It’s surreal to know that I’ve transmitted emotion to perfect strangers through my own inner confabulations. It really is a blessing and an honour for an introvert like me to make that connection. 

WHITEHURST: What writers influenced you?

GREENAWAY: I grew up on British crime fiction like Ruth Rendell, but Ed McBain’s 87th Precinct is probably my biggest influence.

WHITEHURST: What advice would you give those interested in writing?

GREENAWAY: Try to figure out what lies within the books you read that makes you want to read on. For me it’s simple. In no particular order: interesting characters, grit, unpredictability, humour, and a dose of pathos.

The approach I think works best is to write for yourself first. Find your voice and don’t worry about getting it perfect. Or write for someone you admire, dead or alive. But at the same time, do a lot of reading and learning about the craft. And be open to criticism, internal or external. When you feel yourself improving, start putting the reader first. That last bit is some advice I received that seems obvious enough, but it made me sit back and think. And If you’re writing a series, like I am, envision the overall arc so you don’t introduce a bunch of subplots that you’ll have trouble tying up. The more work you put into the planning, the less you’ll have to put into rewriting and hair-pulling. See above, my million edits? That’s because I’m not a good planner. Maybe that’s because I’ve found that the story will often go where it wants to go, and the plan goes out the window.

Be sure to grab a copy of Vancouver Noir, edited by Sam Wiebe, while you’re collecting Greenaway’s other titles.

On the housekeeping side, get your virtual filing cabinet in order sooner than later. You’re going to end up with dozens of folders, some hard to classify; i.e. it’s handy to keep group photos from events in one place, maybe separated from photos of “now just me”, then there’s your blurbs and bios and all their incarnations, correspondence with readers, resource material collected, character studies…. no end to the folders it’s good to have ready so you can find items when needed.

And then have faith.

More about R.M. Greenaway:

R.M. began writing crime fiction on a Greyhound while northbound to Prince Rupert, in a blizzard. Street names became character names as the bus passed through towns and villages, and the blizzard became the setting for her first book. Cold Girl won the 2014 Arthur Ellis Award for best unpublished novel, which led to her ongoing B.C. Blues Crime series, published by Dundurn Press. Fifth in the series, River of Lies, was released in March 2020 in the midst of a pandemic. In 2018 two of her short stories were also published: The Threshold and Rozotica. If you’d like to know more or get in touch, drop by www.rmgreenaway.com. She’d love to hear from you!

Visit her online here.

INTERVIEW: Haunted Monterey County on The Odd Entity Podcast

Follow the ODD Entity Podcast on Twitter and Instagram @OddentityPod

Haunted Monterey County got the star treatment on the latest edition of The ODD Entity Podcast. Thank you to Janine for having me on! I had a great time talking about haunted locales in Monterey, not to mention chatting up spiritual beliefs, Winchester Mystery House, and more.

Listen to the podcast here.

INTERVIEW: Haunted Monterey County featured in Carmel Magazine

Carmel Magazine – Holiday 2019

Be sure to pick up the Holiday 2019 issue of Carmel Magazine, found everywhere along the California Central Coast and abroad. Writer Renee Brincks did a fantastic writeup for the book and it was awesome to be included once again in such an illustrious publication. Can’t find a print copy? Read it online here: https://www.e-digitaleditions.com/i/1182230-cm-sm-ho19-nov/66

And get your copy of the book here: https://www.amazon.com/Haunted-Monterey-County-America/dp/1467142352/ref=sr_1_1?crid=4SX1Q5J4N617&keywords=haunted+monterey+county&qid=1573163908&sprefix=Haunted+Monterey+County%2Caps%2C193&sr=8-1

Michael Newton – a chat with an amazing author

Michael Newton is one of the hardest working writers in the industry. He’s published more than 335 books, some under a different name, including The Encyclopedia of Serial Killers, a number of fiction series such as the M.I.A. Hunter, The Gun westerns, and plenty more. His work in non-fiction is as prolific as his work in fiction. He’s written books on the subject of writing, as a matter of fact, which anyone interested in writing should read.


He’s also well known for his contributions to The Executioner series originally created by Don Pendleton and he’s even written for The Destroyer series. Newton got his start as a “ghost author” for the Mack Bolan Executioner titles and has written 131 “episodes” of the popular man-of-action series to date, with more on the way.

Beginning in 2018 and ending this year in 2019, he penned a series of 10 novels for Wolfpack Publishing based on the history of the Federal Bureau of investigations. In Honor Bound is the first of the series. Set in 1917, it follows three law school graduates as they set out to join the fray for World War I. Before they get a chance to register for service, J. Edgar Hoover extends to them an invitation to join the U.S. Department of Justice.


The series charts the Bureau’s history through the lives of five families: the Gantts, the O’Haras, the Giordanos, the Sawyers, and the Babins. Book 10, When Honor Dies, features a world of terrorism threats from the home front and from the Middle East. The fates of the series’ families are revealed amidst the tragedy of 9/11.

I recently had the honor of talking to Michael about his writing. He said he first got the idea for The Bureau series in 1986.


“I’ve long enjoyed similar (much better!) series by Max Alan Collins, John Jakes, Stephen Hunter and W.E.B. Griffin, but I fell far short of their great achievements this time around. Toward the end it felt a bit like Vietnam or Afghanistan: no exit,” Newton said.


When it comes to his writing, Newton said he’s wanted to be a writer ever since he learned how to put words on paper in grade school. He’s currently hard at work on a new Executioner title, the first ever biography of Albert Anastasia, and much more.


“The money [was] also an attraction, freeing me from a dead-end Nevada teaching job in 1986 and allowing me to write full-time ever since,” Newton said. “For years the Bolan work represented roughly half my yearly income, but 2014 took a toll, my Berkley Western editor fired and an ongoing series canceled, then Harlequin bought out by HarperCollins and the end of the Bolan series announced in December. They’ve reconsidered that, as you know, but at a rate of four books yearly rather than 24, so with luck I get one rather than the former three or four.”


He’s recently fallen back into the realm of “writer-for-hire” as well.


“[This includes] three books for an action series forthcoming from Wolfpack Publishing, rumbles of a Western series (also from Wolfpack), and a two-book contract for Berkley under the late Ralph Compton’s name (also Westerns),” Newton said. “All of those pay by the word, and I’m back to the kind of thing that was my staple during 1978-81, before Gold Eagle came along. I don’t know if that’s coming full-circle or just circling the drain.”

Learn everything there is to know about this amazing guy over on his website.

REVIEW AND INTERVIEW: That’ll Be The Day with S.W. Lauden

Cover for That’ll Be The Day: A Power Pop Heist
by S.W. Lauden

There’s always that one sibling. It seems there’s one in every nuclear pod. In That’ll Be The Day: A Power Pop Heist by S.W. Lauden, we’re introduced to Jackson Sharp the moment he breathes free air for the first time in a long while. Only he may not be breathing it for much longer thanks to his brother, Jamie, who has a heist in mind that’s sure to make any fan of the Beatles froth at the mouth. Should things go wrong, Jack will end up right back in the bowels of Oklahoma State Penitentiary, where neither of his siblings ever care enough to visit.

With a setting near Tulsa, Lauden’s toe-tapping, gritty novelette is like the Outsiders on a punked-up, rockabilly high. It’s a smooth crime story with a playlist sure to get a song or two stuck in your head while you read.

That’ll Be The Day drops June 18th. Boogie on over here for your copy. My interview with the man himself, S.W. Lauden, is below.

S.W. Lauden

WHITEHURST: Besides short stories featured in anthologies, you’re the author of three books in the Greg Salem series and two Tommy and Shayna novellas. Why write a novelette?

LAUDEN: I didn’t exactly set out to write a 17,000-word story, but I always knew it would end up somewhere between a short story (5,000 words) and a novella (30,000 words). My other books have all been published by indie presses, but I’ve been interested in the idea of self-publishing for a while. With a story like That’ll Be The Day: A Power Pop Heist—an odd length and a super niche-y subject—I decided it was time to give it a whirl.

WHITEHURST: What was your inspiration for That’ll Be The Day?

LAUDEN: Late last year I got offered the chance to co-edit an essay collection about power pop with Paul Myers (it’s called Go All The Way and Rare Bird Books will publish it this October). Re/discovering bands like Raspberries, The Knack, The Records, Shoes, The Shivvers, Dwight Twilley, The Bangles, Teenage Fanclub, Fountains of Wayne, New Pornographers, etc. quickly became an obsession. I didn’t plan for my power pop research to also become a crime novelette, but I’m really glad it did. It was a blast writing about the Sharp brothers, their failed music career, and the life of crime that followed.

WHITEHURST: Your knowledge of music, bands, and instruments is solid. What’s the story there?

LAUDEN: Most of my life has been organized around music. I had older brothers that got me into classic rock and heavy metal as a kid, before I discovered punk in junior high. From there I was off to the races, listening to a lot of glam rock, post punk, new wave, power pop, alternative rock, Brit pop—you name it. I started playing drums in bands in high school and didn’t stop for any real length of time until my early 40s. I got to make a few records and tour, etc. Given all that, I suppose it’s no surprise that a lot of my crime fiction revolves around music and musicians.

WHITEHURST: What’s next for you?

LAUDEN: I recently played drums on a record for an LA-based garage rock/power pop band called The Brothers Steve. We’re self-releasing a limited run of vinyl in late July, but songs will start popping up in various places between now and then. We definitely won’t be touring (too many adult responsibilities for anything crazy like that), but we might play a couple of shows here and there.

Info at https://www.thebrotherssteve.com.

WHITEHURST: Thanks for stopping by for a chat!

LAUDEN: Thanks for reading the book and inviting me to your blog!

BIO: S.W. Lauden is the author of the Greg Salem punk rock P.I. series including Bad Citizen Corporation, Grizzly Season and Hang Time. His Tommy & Shayna novellas include Crosswise and Crossed Bones. A new novelette, That’ll Be The Day: A Power Pop Heist, will be released on June 18, 2019. S.W. Lauden is the pen name of Steve Coulter, drummer for Tsar and The Brothers Steve. More info at http://swlauden.com.

American Static: interview with Author Tom Pitts

Tom Pitts cover-pitts-american-static-1800x2700px.jpg
American Static by Tom Pitts  Down & Out Books (June 26, 2017)

Some writers are like doctors. They have the stuff you need right when you need it most. Tom Pitts is an author like that. Having read American Static at a time when I was thirsty for a blast of literary danger, the book was like the tall beer Tom’s holding in his author photo. It hit the spot.What starts as a deadly, and compelling, crime thriller; American Static soons takes on a darker twist. The story unfolds to reveal murderous political intrigue, a savage quest for the truth, and weaves in a sweet love story  – albeit in a surprising way.

When I got a chance to sit down with Tom, the first thing on my mind was all the great characters sprinkled throughout the book, so I started there…

PATRICK WHITEHURST: You have Quinn, Carl, Tremblay, Steven, Teresa, and a cast of others, nearly all a bit shady. How did you keep them straight?

TOM PITTS: If you’re referring to the juggling of POVs, it’s the only way I see the whole picture. It’s more than just a third-person perspective, it’s a lens through which we can see each character’s motivations. I took this idea a little further than in my last novel, Hustle. And I think the result is a faster moving, more exciting ride.

As far as them being shady, to be fair, kindly ol’ Carl ain’t too shady. But all characters—just like people—come in varying shades of grey. They just aren’t black or white. Mind you, some are blacker than others. I think even the most evil motherfucker in the world still likes a chuckle now and again, still likes to sit down and watch Bob’s Burgers, you know?

WHITEHURST: You’re knocking back a few at the bar and some dude asks you to describe American Static. What do you tell him?

Tom Pitts at Boucher
Author Tom Pitts.

PITTS: I tell ‘em it’s a devil-at-the-crossroads kind of tale. That’s what Quinn is. He’s that intoxicating, charismatic devil that’ll take you on a fast ride to hell.

WHITEHURST: When you gaze at the stars, thinking wistfully on those glorious days spent writing the book, what stands out? What part of American Static really turned you on?

PITTS: I was on a roll after Hustle. I marched forward on this one full of cocky confidence. The plot unfolded and the puzzle presented itself to me perfectly. I love that feeling when the pieces fit together. What I remember most—when I put together the political backstory that’s the impetus for the events—is jumping up from the keyboard and yelling Yes!

WHITEHURST: What can you tell us about an audiobook?

PITTS: I’m very excited about it. It’s the first audio book being done for one of my stories. The narrator, Daniel Greenberg, has done an excellent job. I listened to a lot of audio books during a hellish commute I endured a few years back. And I mean a LOT of audio books, and Daniel has just the even-handed style I like—not too dramatic, not too flat. I’m told it’ll be done by the start of May, so I’m hoping it’ll be available in June. If it goes well, I’m going to do one for Hustle and the new book, 101.

WHITEHURST: The movie question now: who would you cast? I could almost see De Niro as Quinn, maybe a younger version. Thoughts?

PITTS: I do hate being pinned down by this question. Once I have someone in mind it’s hard to get them out of my head, but … since you asked. I think I’d like to see Frank Grillo as Quinn. He’d be perfect for it. He’s got something scary going on just under the surface. It’d be tough for a just any old pretty boy to sell it. Frank has a bit of grit. The kind of guy you can never feel quite comfortable around.

WHITEHURST: What about bands? Who do you listen to when you type?

PITTS: Nobody. I’ve always worked in silence. I’ve gone so far as to stuff toilet paper in my ears and pump white noise through some headphones to find silence. Rob Hart recently asked on Twitter about playlists for writing, the soundtrack that a writer prepares for each novel. A light went on over my head—a playlist to block the world out? Brilliant. Maybe I’ll try it the next time around. Especially if it’s a period piece.

WHITEHURST: What’s the story these days? What are you working on?

PITTS: I just finished the final edits for my next novel, 101. It’s coming out in November from Down & Out. It takes my shifting POV philosophy even further. I’ve very proud of the book. It’s fast-moving, funny, and full of wild characters. It’s set against the backdrop of a pot farm in Humboldt County six months before it went legal in California. I spent a fair amount of time in those hills doing research—yeah, that’s what we’ll call it—and I hope it captures the tone of the hills. I’m still working on the Hustle script and doing the dance with Hollywood. Hopefully I’ll have some solid news to share about that soon. I can say things are heating up though. Then, I suppose, it’s time to roll up my sleeves and get to work on a new novel. I can’t wait to get back to that strange headspace where I spend a few hours a day in the unpredictable world of my own fiction.

Visit Tom’s website here.

Order American Static here.

Interview with Clean Sweep author Michael J. Clark

Sweep-1
Clean Sweep by Michael J. Clark, ECW Press (March 13, 2018)

Not every day is peaches and cream. Some days are just terrible. But when you find a good read, it’s always peaches and cream. This was the case when I read Michael J. Clark’s debut crime novel Clean Sweep, out this month from the fine folks over at ECW Press. It’s all warm and fuzzy, in a violent crime-filled way, which is fine with me. Check out my interview with Clark below!

PATRICK WHITEHURST: There are a number of great characters in Clean Sweep. How did you develop them and how did you manage to keep them all straight?

MICHAEL J. CLARK: We start with Tommy Bosco. The good pastor is loosely based on a good friend of mine, a reformed smuggler with the gift of gab when it comes to his days of criminality. Just when I think he’s told me every story, he makes my jaw drop again. ‘Tommy’ just told me a tale about the night he was shot five times, and drove himself to the hospital. I’m sure there’s some truth in that story, be it ever so slight. Maybe it was only twice, maybe he was grazed, or it could have just been cuts from a bullet-shattered side window as he sped away. ‘Tommy’ has this ability to either make you love the story, or love the bullshit. If it’s all just bullshit, it’s the best bullshit I’ve ever heard, double album-worthy.
I’ve read many a police procedural in my time, so coming up with cops that were clean, semi-clean, or dirty/homicidal-for-hire wasn’t too much of a stretch. In retrospect, Clean Sweep could have been written as a police procedural. I decided to bring the fringe characters out of the shadows. Think of the guy who’s always loading a van while being questioned by a pair of homicide cops on Law & Order. Doesn’t he have a story beyond those crates? Maybe, just maybe, Man Loading Van is the story. Same with the person who becomes the corpse. The unfortunate stiff is always the last to know, right up to the point that the hammer hits the back of the shell casing.
In the case of Clean Sweep, I decided to ‘compartmentalize’ the various groups until the need arose to intertwine them. (Uh-oh, I think I’ve got a touch of ‘Tommy’s’ bullshit creeping in here). Keeping the various characters/groups where I needed them to be meant that there were only so many of them peering over my shoulder during the keyboard clatter. It was the only way I could handle it without turning into Jack Torrance.
I’m a huge fan of conspiracies. I truly believe that the development of ‘misdirection technology’ (that TV set you call a phone) is not only planned, its truly required to ensure shadowy success.The conspiracy I floated in Clean Sweep has its seedlings in the sandy soil of historical record in Canada. I just added the Miracle-Gro.

Sweep-2
Mr. Clark

WHITEHURST: A lot of writers listen to a “soundtrack” when they write, music that inspires their words. Was this the case with Clean Sweep?

CLARK: There are a few snippets of music in the book. I enjoy jazz, and I’m learning more about it, though I’m anything but an expert on the notes the musicians play, or the ones they don’t. The ‘music’ has more to do with the research, like watching reams of vintage YouTube that relate to the story. I could listen to British announcers reporting on the 1950 Manitoba flood into the wee small hours. I should mention that my second book is set in 1985 in Winnipeg. There’s plenty of music in that romp, and there had to be. (Silly haunted radios…)

WHITEHURST: Picture yourself plopped down at a seedy dive bar. What would you tell the bartender who asks what your book is about? It’s gotta be different than how you’d explain it to a publicist, right?

CLARK: Well, lets assume that I’m into my third quality scotch by this point, neat. “Well friend, Clean Sweep is about the Winnipeg that no one wants to talk about, but everyone knows is there, just like any town on the face of the earth. And do you have any more peanuts?”

WHITEHURST: Without giving anything away, what part of writing the book made you sit back and think, “I’m a rock star?”

CLARK: Rock star? I’d settle for Polka King right now. I think its when you come up with those fun little phrases, the ‘you’re gonna need a bigger boat’ nuggets. You wonder if they’ll have the same impact for the reader as they did for you.

WHITEHURST: Everyone asks this, so I will too. Who would you pick to be in the Clean Sweep movie?

CLARK: I’ve had the pleasure of knowing a few people in the film, theatre, and comedy world in Winnipeg. I’ve been enjoying the adaptation of Caught by Lisa Moore on the Mother Corporation, AKA the CBC. There’s such an incredible pool of Canadian talent to pull from. Kristen Kreuk from Burden of Truth could have her pick of roles. I’ve gotta get Adam Beach in there somewhere. Many of the characters are perfect for the abundance of character actors that abound. I’ve been a fan of Michael Ironside since Scanners. (A perfect Ernie Friday.) As for Pastor Bosco, I’m still thinking. ‘Tommy’ looks a lot like Richard Rawlings from Fast ‘n Loud. Hmmmmm…

Thanks for the great interview, Michael! Clean Sweep is available now. Get your hands on it here.