(Sept. 24, 2018) Look for some cool events this October on the Monterey Peninsula. Cool for writers and fans of the written, and spoken, word at least. And who isn’t a fan of that?
October 21 – I’ll be joining a number of authors in Carmel on Sunday, October 21, from 1-3 p.m. for a book signing event featuring local authors and historians. More details to come, but it sounds like a great place to find some early Christmas presents for the bibliophiles in your family. I’ll be ready to sign my recent book Pacific Grove Museum of Natural History! The event will be held at Carmel Ace Hardware, located at 290 Crossroads Blvd, Carmel-By-The-Sea, CA93923.
October 23 – Want to learn more about the craft of writing fiction and nonfiction? Author Dietrich Kalteis and I will hold a workshop on that very subject Tuesday, October 23, at 6:30 p.m. at Old Capitol Books in downtown Monterey. We’ll discuss writing style, guidelines, and the research that goes into works of fiction and non-fiction. Old Capitol Books is located at 559 Tyler Street in downtown Monterey. Learn more here!
October 26 – Noir at the Bar returns to the Central Coast this month! This year’s Noir will be held at the East Village Coffee Lounge, at 498 Washington Street in downtown Monterey, beginning at 7 p.m. Books will be available for purchase thanks to the awesome folks at Old Capitol Books. Donations will be accepted at the door, benefitting the Central Coast Writers group! It’s a sweet lineup of authors too: Terry Shames, Kris Calvin, Tom Pitts, Rob Pierce, Susan C Shea, Mark Coggins, Morgan Boyd, Dietrich Kalteis, and me! Get more details here!
What happens to us when we die? That’s the big question. Some of us, many believe, might stick around after we die. Some of us might become the next generation of ghosts! When that happens, some of us will find a place to haunt, be it a favorite home, an old workplace, or possibly a cemetery.
Resting comfortably among the cypress, eucalyptus, Monterey oak, and pines trees of the California coast is the Monterey Peninsula. It’s changed little over the years but grown large in notoriety. The AT&T Pebble Beach Pro-Am is held here every year, car shows are a daily part of life in the summer months, and festivals bring both music and food. Sailing, kayaking, and exploring sea life are pastimes enjoyed by residents and tourists alike. The Central Coast has a long, sometimes sordid, history, but people love it. It’s been featured in a number of films and television shows, including Turner & Hooch, Basic Instinct, Star Trek IV: The Voyage Home, Play Misty for Me, Big Little Lies, and more.
My newest book, Haunted Monterey County, will explore the many haunted locations found in this popular California community. Due in bookstores around Halloween 2019, this book will join a distinguished library of haunted, ghostly collections published by The History Press, a number of which I have enjoyed in the past. The nearest such book, Haunted Santa Cruz California, by Maryanne Porter, is a wonderfully spooky read! Their Haunted America series runs from the East Coast to the West!
In Monterey, I am hard at work on stories surrounding a number of haunted sites, including the Custom House near Old Fisherman’s Wharf, Tor House, Steinbeck’s home in Salinas, Los Coches Adobe, and many other locations said to be inhabited by the restless dead.
I plan to write updates as I progress, so be sure to check in on me from time to time!
Journalism is meant, on its best day, to provide checks and balances for those in power. Those who make decisions that ripple through our jobs, our welfare, and our checkbooks have to be held accountable for their decisions. If it weren’t for watchdogs, Americans would drown under the rule of those who care little for anything and anyone beyond their own interests. We would be manipulated, lied to, and used as cogs in a machine –necessary but ultimately forgettable. In a free society, the news is intended to provide all Americans with the information needed to make an intellectual decision. It’s not intended to convince you how to think on a particular subject, or even on a particular candidate, but it will furnish the tools we need to make a smart decision on the matter.
It’s not always perfect and it can be downright dirty. Ratings factor into the equation, as they do for most print and television offerings. Advertisers factor into the equation as well; news outlets are businesses at the end of the day. They have to make money to survive, but their mission has never been more clear. You’re simply not going to get all the facts, all the angles, nor the whole truth from those elected to positions of power. There are people in this country afraid of an informed population. Some news may sensationalize, some may muddy the line between editorializing and journalism, but more than anywhere else, the news media is there to inform. Their job is to ferret out the mischief and replace the tall tales with a sobering dose of reality.
This may seem like pie in the sky idealism, but as a former journalist, I know there is truth in reporting. Our reporters, covering beats from crime to education, are American citizens like the rest of us. They go home to families and watch football on the weekends. They vote, pay taxes, buy groceries, and carry degrees that instilled in them a belief that journalists should be a voice for the voiceless. Without journalists, the voiceless would be all but dead.
Recent attacks on the media are terrifying in that they are seeking to suppress the search for truth by lobbing derogatory labels like hand grenades, including the effort to label journalists as the “enemy of the people,” which couldn’t be farther from the truth. Journalists ARE the people. Their job is to present the facts, while ours is to understand and use it however we see fit.
I stand with the Boston Globe as they, and more than one hundred other newspapers across the country, defend their voices from those who seek to silence them. On August 16th, these news organizations will publish editorials warning of the dangers of anti-press rhetoric. And don’t be fooled, the press is under attack, and an America without them would indeed be a country on fire.
The Pacific Grove Museum of Natural History book, which Arcadia Publishing released earlier this year, got a nice write-up in Carmel Magazine. Thank you to writer Renee Brincks and photographer Kelli Uldall for making it so easy! You two rock!
Some writers are like doctors. They have the stuff you need right when you need it most. Tom Pitts is an author like that. Having read American Static at a time when I was thirsty for a blast of literary danger, the book was like the tall beer Tom’s holding in his author photo. It hit the spot.What starts as a deadly, and compelling, crime thriller; American Static soons takes on a darker twist. The story unfolds to reveal murderous political intrigue, a savage quest for the truth, and weaves in a sweet love story – albeit in a surprising way.
When I got a chance to sit down with Tom, the first thing on my mind was all the great characters sprinkled throughout the book, so I started there…
PATRICK WHITEHURST: You have Quinn, Carl, Tremblay, Steven, Teresa, and a cast of others, nearly all a bit shady. How did you keep them straight?
TOM PITTS: If you’re referring to the juggling of POVs, it’s the only way I see the whole picture. It’s more than just a third-person perspective, it’s a lens through which we can see each character’s motivations. I took this idea a little further than in my last novel, Hustle. And I think the result is a faster moving, more exciting ride.
As far as them being shady, to be fair, kindly ol’ Carl ain’t too shady. But all characters—just like people—come in varying shades of grey. They just aren’t black or white. Mind you, some are blacker than others. I think even the most evil motherfucker in the world still likes a chuckle now and again, still likes to sit down and watch Bob’s Burgers, you know?
WHITEHURST:You’re knocking back a few at the bar and some dude asks you to describe American Static. What do you tell him?
PITTS: I tell ‘em it’s a devil-at-the-crossroads kind of tale. That’s what Quinn is. He’s that intoxicating, charismatic devil that’ll take you on a fast ride to hell.
WHITEHURST:When you gaze at the stars, thinking wistfully on those glorious days spent writing the book, what stands out? What part of American Static really turned you on?
PITTS: I was on a roll after Hustle. I marched forward on this one full of cocky confidence. The plot unfolded and the puzzle presented itself to me perfectly. I love that feeling when the pieces fit together. What I remember most—when I put together the political backstory that’s the impetus for the events—is jumping up from the keyboard and yelling Yes!
WHITEHURST:What can you tell us about an audiobook?
PITTS: I’m very excited about it. It’s the first audio book being done for one of my stories. The narrator, Daniel Greenberg, has done an excellent job. I listened to a lot of audio books during a hellish commute I endured a few years back. And I mean a LOT of audio books, and Daniel has just the even-handed style I like—not too dramatic, not too flat. I’m told it’ll be done by the start of May, so I’m hoping it’ll be available in June. If it goes well, I’m going to do one for Hustle and the new book, 101.
WHITEHURST: The movie question now: who would you cast? I could almost see De Niro as Quinn, maybe a younger version. Thoughts?
PITTS: I do hate being pinned down by this question. Once I have someone in mind it’s hard to get them out of my head, but … since you asked. I think I’d like to see Frank Grillo as Quinn. He’d be perfect for it. He’s got something scary going on just under the surface. It’d be tough for a just any old pretty boy to sell it. Frank has a bit of grit. The kind of guy you can never feel quite comfortable around.
WHITEHURST:What about bands? Who do you listen to when you type?
PITTS: Nobody. I’ve always worked in silence. I’ve gone so far as to stuff toilet paper in my ears and pump white noise through some headphones to find silence. Rob Hart recently asked on Twitter about playlists for writing, the soundtrack that a writer prepares for each novel. A light went on over my head—a playlist to block the world out? Brilliant. Maybe I’ll try it the next time around. Especially if it’s a period piece.
WHITEHURST:What’s the story these days? What are you working on?
PITTS: I just finished the final edits for my next novel, 101. It’s coming out in November from Down & Out. It takes my shifting POV philosophy even further. I’ve very proud of the book. It’s fast-moving, funny, and full of wild characters. It’s set against the backdrop of a pot farm in Humboldt County six months before it went legal in California. I spent a fair amount of time in those hills doing research—yeah, that’s what we’ll call it—and I hope it captures the tone of the hills. I’m still working on the Hustle script and doing the dance with Hollywood. Hopefully I’ll have some solid news to share about that soon. I can say things are heating up though. Then, I suppose, it’s time to roll up my sleeves and get to work on a new novel. I can’t wait to get back to that strange headspace where I spend a few hours a day in the unpredictable world of my own fiction.
An official launch for the Arcadia Images of America book, The Pacific Grove Museum of Natural History, will be held at the Pacific Grove Museum of Natural History on Thursday, April 26th, starting at 5:30 p.m. with a booksigning and copies for sale in the Museum Store.