Some writers are like doctors. They have the stuff you need right when you need it most. Tom Pitts is an author like that. Having read American Static at a time when I was thirsty for a blast of literary danger, the book was like the tall beer Tom’s holding in his author photo. It hit the spot.What starts as a deadly, and compelling, crime thriller; American Static soons takes on a darker twist. The story unfolds to reveal murderous political intrigue, a savage quest for the truth, and weaves in a sweet love story – albeit in a surprising way.
When I got a chance to sit down with Tom, the first thing on my mind was all the great characters sprinkled throughout the book, so I started there…
PATRICK WHITEHURST: You have Quinn, Carl, Tremblay, Steven, Teresa, and a cast of others, nearly all a bit shady. How did you keep them straight?
TOM PITTS: If you’re referring to the juggling of POVs, it’s the only way I see the whole picture. It’s more than just a third-person perspective, it’s a lens through which we can see each character’s motivations. I took this idea a little further than in my last novel, Hustle. And I think the result is a faster moving, more exciting ride.
As far as them being shady, to be fair, kindly ol’ Carl ain’t too shady. But all characters—just like people—come in varying shades of grey. They just aren’t black or white. Mind you, some are blacker than others. I think even the most evil motherfucker in the world still likes a chuckle now and again, still likes to sit down and watch Bob’s Burgers, you know?
WHITEHURST: You’re knocking back a few at the bar and some dude asks you to describe American Static. What do you tell him?
PITTS: I tell ‘em it’s a devil-at-the-crossroads kind of tale. That’s what Quinn is. He’s that intoxicating, charismatic devil that’ll take you on a fast ride to hell.
WHITEHURST: When you gaze at the stars, thinking wistfully on those glorious days spent writing the book, what stands out? What part of American Static really turned you on?
PITTS: I was on a roll after Hustle. I marched forward on this one full of cocky confidence. The plot unfolded and the puzzle presented itself to me perfectly. I love that feeling when the pieces fit together. What I remember most—when I put together the political backstory that’s the impetus for the events—is jumping up from the keyboard and yelling Yes!
WHITEHURST: What can you tell us about an audiobook?
PITTS: I’m very excited about it. It’s the first audio book being done for one of my stories. The narrator, Daniel Greenberg, has done an excellent job. I listened to a lot of audio books during a hellish commute I endured a few years back. And I mean a LOT of audio books, and Daniel has just the even-handed style I like—not too dramatic, not too flat. I’m told it’ll be done by the start of May, so I’m hoping it’ll be available in June. If it goes well, I’m going to do one for Hustle and the new book, 101.
WHITEHURST: The movie question now: who would you cast? I could almost see De Niro as Quinn, maybe a younger version. Thoughts?
PITTS: I do hate being pinned down by this question. Once I have someone in mind it’s hard to get them out of my head, but … since you asked. I think I’d like to see Frank Grillo as Quinn. He’d be perfect for it. He’s got something scary going on just under the surface. It’d be tough for a just any old pretty boy to sell it. Frank has a bit of grit. The kind of guy you can never feel quite comfortable around.
WHITEHURST: What about bands? Who do you listen to when you type?
PITTS: Nobody. I’ve always worked in silence. I’ve gone so far as to stuff toilet paper in my ears and pump white noise through some headphones to find silence. Rob Hart recently asked on Twitter about playlists for writing, the soundtrack that a writer prepares for each novel. A light went on over my head—a playlist to block the world out? Brilliant. Maybe I’ll try it the next time around. Especially if it’s a period piece.
WHITEHURST: What’s the story these days? What are you working on?
PITTS: I just finished the final edits for my next novel, 101. It’s coming out in November from Down & Out. It takes my shifting POV philosophy even further. I’ve very proud of the book. It’s fast-moving, funny, and full of wild characters. It’s set against the backdrop of a pot farm in Humboldt County six months before it went legal in California. I spent a fair amount of time in those hills doing research—yeah, that’s what we’ll call it—and I hope it captures the tone of the hills. I’m still working on the Hustle script and doing the dance with Hollywood. Hopefully I’ll have some solid news to share about that soon. I can say things are heating up though. Then, I suppose, it’s time to roll up my sleeves and get to work on a new novel. I can’t wait to get back to that strange headspace where I spend a few hours a day in the unpredictable world of my own fiction.
Visit Tom’s website here.
Order American Static here.